Dewey
Balfa Cajun & Creole Heritage Week & other Great Stuff
(April 21, 2003) March and April have been great fun here in Lafayette, LA.
Lots of music going on, some of which I have been able to capture on video and
will eventually edit down and put on my website.
Perhaps the most unusual event during this period was seeing Steve Riley & the
Mamou Playboys perform Cajun music accompanied by the Acadiana Symphony
Orchestra
at
the River Ranch Music Festival (they were headliners, and followed the pops &
opera segments!). It worked, sort of.
But it was lots of
fun listening to the orchestra swelling up dramatically at the end of each
of the 4 songs in their set. I've also attended other small festivals including
the Rice & Gravy Festival at Acadian Village (with Geno Delafose) & the Catfish
Festival in Washington (Keith Frank, Hadley Castille, Steve Riley, among
others),
plus made
the rounds at Whiskey River, Pat's Atchafalaya
Club, Hamilton's, El
Sido's, Downtown Alive (<--Little Band of Gold ), Randol's, Blue Moon Saloon, Mulate's, the Third
Thursday program in Opelousas & Vermillionville to name a few. Also fun
were jams at the Savoy Music Center & Mitch & Lisa Reed's Louisiana
Heritage & Gifts. Plus I have been working my way through the menu
at Cafe des Amis using the Saturday zydeco breakfast or Wednesday night music
programs as the excuse to eat there yet again.

The highlight of the past several months, by a long shot, has been
spending time at Louisiana Folk Roots Dewey Balfa Cajun & Creole Heritage Week,
and their "Stompin' at the Swamp"event. Held at beautiful Lake Fausse
Point on the Atchafalaya near St. Martinville, LA., this is a truly
special event. If you love Louisiana French Cajun, Creole or zydeco
music and want to learn to play or sing it, or gain a closer understanding of
the culture and people it comes from, here is your opportunity to learn
personally from the folks whose names are synonymous with it: the
musical staff
included
Christine Balfa & Courtney Granger who are descendants of Dewey Balfa,
Preston & Keith
Frank, Adam Hebert, Edward Poullard, Al Berard, Dirk
Powell, Kevin Wimmer, Mitch Reed, Jesse Lege, Goldman Thibodeaux, &
Wilson Savoy. Food was provided by Cajun celebrity chef Pat Mould;
desserts by Linda Handelsman. Also available were nature walks &
canoe rides, instruction in Cajun language & songs. Cajun & zydeco
dance lessons, and classes in Cajun cooking & crafts. The program is intimate
and varied, and the setting is idyllic.
You can stay
for the week in lovely cabins on the bayou, or attend, as I did, the
Local Lagniappe program, which included afternoon classes, dinner, an evening
dance, plus after dance jam sessions. I took triangle lessons with
Christine Balfa, instruction in Cajun language & song by Helena Putney &
Courtney Granger, attended a session on Dennis McGee fiddle tunes with
Mitch Reed, Al Berard & Ferren Serrette. I also went on a night hike
through
the park trails with
Ranger Larry Dugas, attended several jam sessions and attended dances with
The Basin Brothers, and The Frank family (with Preston & Keith Frank
taking turns playing accordion). Saturday was "Roots Heritage Day".
You could dance from 10am thru 11pm to such bands as Geno Delafose & French
Rockin' Boogie, Charivari, Willis Prudhomme, Veillee, Steve Riley and the
Mamou Playboys & the Huval Family Band. In the Heritage Pavilion,
D.L. Menard, Feufollet, Bois Sec Ardoin, & Jeremy & the Zydeco Hot Boys
were
interviewed and
performed. (My favorite story was from D.L.'s session: he said that
when he got married, he wanted to do so at Wal-Mart because, if you kept the
receipt, you could return your spouse.... and it
didn't
matter if you got married in Breaux Bridge... you could make the return in
the Lafayette store). I also enjoyed the Roots
Pavilion sessions immensely: Ed Poullard and Mitch Reed discussed and
demonstrated Creole & Cajun fiddle styles, Preston Frank & Jesse Lege
doing the same for Creole & Cajon accordion styles, Courtney Granger & Kevin
Wimmer showcasing Balfa fiddle styles, & finally Al Berard & Ferren Serrette
highlighting twin fiddles. There were also sessions going in the Jam
Pavilion and Youth Pavilion.
It is hard to
fully describe what a wonderful event the
Balfa camp is. It is not just about the classes. If you love
this music, there is an extraordinary sense of connectedness you get from
being in the environment where it developed and among the folks whose
culture it sprang from. The Balfa camp is the best way I know of to touch and be
touched by the heart of this amazing place.

There's
going to be another Balfa camp this fall, with a full time dance instruction
program, as well as the other classes. More info can be found at
www.lafolkroots.org.
The Bay Area was well represented at this year's camp, and Linda Castle, who
is learning to play the fiddle, shares her impressions below:
The Dewey Balfa Cajun and Creole Heritage Week was held
April 13-19 at Lake Fausse Pointe State Park outside of St. Martinville,
Louisiana. My firsthand observation is that the Balfa camp offers something that
other camps do not. First of all, the setting is truly Louisiana. Think
swamp, bayou, cypress trees, alligators and unusual nighttime wildlife noises
(animal and otherwise). Think excellent Louisiana cuisine. Think Bon
Temps Roulez to the max.
Balfa camp is much smaller and therefore more intimate than
other camps I’ve attended, (Augusta for example). You can easily spend
time getting to know interesting people from all over the country and world. And
there are a multitude of opportunities to interact with attendees and staff from
the local area. Talk about a refreshing human experience. These
people are the real thing!
Additionally, the individual attention and interaction with
staff is incomparable. As an aspiring fiddle player, I was more than
pleasantly surprised to get small group instruction from Kevin Wimmer, Faren
Serrette, and Courtney Granger in addition to my daily scheduled class with
Mitch Reed. Ed Poullard was on staff to teach fiddle but found time to
give Agi Ban and Bruce Veldhuizen private lessons on accordion. All of this was
a true demonstration of
lagniappe. And the spirit in which these people gave their instruction
was from the heart: authentic and generous.
Balfa camp also has a strong program for the non-musician.
An extensive nature class run by local outdoor experts takes you into the swamps
to learn first hand about birds, reptiles, mammals and flora of the area.
A canoe trip and a night hike were fascinating and fun. This year there was also
a French lyrics class, rubboard and triangle seminars, and sessions with local
Chitmacha tribe members on traditional fishing and basket weaving methods. And
for those of you who are dance-oriented, the next camp scheduled for early
November will include both Cajun and Zydeco dance as main classes.
Speaking of dance, the nightly outdoor dances on a spacious
wooden dance floor provided a variety of Cajun and Creole music from the best of
the best. This year’s bands included Balfa Toujours, Preston and Keith Frank,
Lawrence “Black” Ardoin and Ed Poullard, Chris Ardoin, Jesse Lege, Geno
Delafose, Steve Riley, Charivari, and the Basin Brothers, among others. The late
night jam sessions held lots of surprises and provided a unique opportunity to
listen to, play, and party with great musicians and people.
The Dewey Balfa Cajun Creole Heritage Week offers a chance
to become fully immersed in one of our country’s most distinctive cultures.
It’s a great way to learn more about the origins and influences of the music and
dance so many of us have grown to love, in an atmosphere of openness,
camaraderie, and just plain fun. If you’re looking for that next great
high in your exploration of the Cajun/Creole dance, music, or culture, try this
one. I guarantee you won’t be disappointed.
For more information on the Fall Dewey Balfa Cajun and
Creole Heritage Week at Chicot State Park (outside Ville Platte), check out the
website at
www.lafolkroots.org or ask any of us who attended this year*. We’d be
glad to fill you in on the details.
* Linda Castle, Christy Leichty, Jim Phillips, Agi
Ban, Bruce Veldhuizen