Louisiana Folk Roots' Fall 2003 Dewey Balfa Cajun
and Creole Week
I attended a wonderful cultural immersion program at
Louisiana's Chicot State Park, during the 1st week of
November, 2003. Sponsored by Louisiana Folk Roots, we lived
in rustic cabins, just yards from the lake (with its
cypress knees and a friendly gator), and filled our days
playing music, learning about Louisiana's rich culture,
food, nature, dance and song, meeting local residents, and
making great friends who came from all over the world.
There were intensive sessions in the morning, lagniappe
sessions to chose from each afternoon, dances held in the
afternoons and evenings, and late night jams. Cajun and
Creole Masters shared their musical gifts and stories with
us every afternoon.
After getting settled in, the days formed a nice routine
and went by way too fast. In the morning, after breakfast,
I took Beginning Guitar with Blake Castille. The class was
small, just 5 of us, so there was a lot of personal
attention and the change to ask questions and interact with
fellow students. After a short break, I chose to go either
to Band Lab or to hear David Greely of the Mamou Playboys
talk about Vocals & French Language or Cajun History.
One session he brought in Hadley Castille, who spoke about
his childhood, growing up as a sharecropper in rural
Louisiana. Before lunch, there was a 'Rendezvous', which
included preview' of the Masters sessions, which were held
right after lunch. I thoroughly enjoyed the sessions by
Rodney Fontenot (who played Dennis McGee influenced
fiddle); Rodney Miller (a major influence on Cajun steel
guitar playing); Shelton Manuel (fiddle); Goldman
Thibodeaux and Preston Frank (both Creole accordion
players) and Ethellie Tate Fruge (who sang and played
guitar; including a fascinating version of Jolie Blonde,
which included 2 extra lines per verse).
There were 7 different Lagniappe sessions to choose from
each afternoon, or you could sign up for private lessons
with the music instructors. I did a little of both... among
the sessions were cuisine with Joanne Delafose, zydeco
& Cajun dance parties, jams, rubboard and triangle
sessions, different styles of accordion and fiddle playing,
different levels of guitar, accordion and fiddle lessons.
After a short break, and dinner, there were early evening
sessions that included night hikes, and more dance lessons,
followed by the big dances with such bands as Geno
Delafose, Jason Frey, the Frank Family Band (with Preston
& Keith), and Steve Riley & the Mamou Playboys.
The local Ville Platte/Eunice/Mamou community showed up in
full force during the evening dances, which really added to
the energy level. There were quite a few local residents in
my day classes as well, which added to the feeling that you
were contributing, in a small way, to keeping the culture
alive .. us outsiders seemed to serve as a mirror to let
local residents see how truly special their culture was,
and in turn, we got the benefit of learning from and
socializing with local folks.
In addition to the weeklong classes, all day Saturday was
"Stompin' at the Swamp", an all day Roots Heritage
Festival. You could party to zydeco and Cajun music all day
in the large Dance Tent (to Geno Delafose, Zydeco Force,
Chris Ardoin, Savoy Family Band, Hadley Castille, T-Sale
(does this band ever rock!) or Terry & the Bad Boys),
play music in sessions led by Steve Riley, Jeffrey
Broussard, Kevin Wimmer, Hadley Castille, Sam Broussard,
Peter Schwarz, attend various 'master' sessions, workshops
(with the extended Ardoin family, above) or more intimate
dance or music performances.
Balfa Week is a wonderfully enriching experience, quite
unlike attending a festival or a dance. If you love Cajun
or Creole music and would like to further your appreciation
and gain an insider's view of this unique culture, I highly
recommend attending next year's event, which I just learned
has already been scheduled as a 2 day Spring Weekend for
2004 (see below).